Beautiful Book of the Month: May

The Rime of the Modern Mariner By Nick Hayes

Published April 2011
ISBN:  9780224090254
Format: Hardback
Jonathan Cape
www.capegraphicnovels.co.uk


I know I'm late again writing my Beautiful Book of the Month article, about 4 months late to be precise, but I promise you I picked an absolute beauty for this long overdue post.

Over the years I have amassed an admirable assortment of enticing literary tomes, but even among the two bookcases designated to house my most beloved books there are a few titles that still manage to shine a little bit brighter than the rest in my eyes. My favourites among my favourites. While my shelves have seen many new additions and have undergone many bouts of shuffling, Nick Haye's The Rime of the Modern Mariner has always held its lofty position; clearly visible and easily accessible, and in my overflowing library that is the highest possible honour I can bestow upon any book.

It’s rare today to come across something so remarkably well crafted. The illustrated matte cover is combined with a luxurious wrap around cloth spine and polished off with elaborately etched silver lettering. The addition of the quirky “handwritten” typeface and whimsical wave patterned end pages add to the character of this charming illustrated novel.


Hayes uses a limited colour palette for his illustrations, sticking only to subtle hue variations of pastel blue and black. It is truly amazing to see how much detail and depth can be achieved using so few colours. I think also by restricting the range of shades, it gives the piece a sense of uniformity and forces the viewer to pay closer attention to how the images interact on the page with one another.

Each page is laid out with impeccable precision, creating a visual language all of its own that flows naturally and fluidly from page to page, mirroring the natural rhythm that emerges from the poem’s rhyme. No two pages are arranged in quite the same way.

But beneath this stunning visual feast, there lurks a compelling and haunting moral fable. This beautiful graphic novel reinvents Samuel Taylor Coleridge's longest and arguably his most famous poem, The Rime of the Ancient Mariner. First published in 1798, the original tale relates the experiences of a weary sailor who has returned from a long sea voyage. He stops a man who is on the way to a wedding ceremony and begins to weave a harrowing story of sin and reparation spurred by the senseless killing of an albatross.

It’s a tremendous challenge to rework a classic, especially since the work will inevitably be compared to its reference material no matter how drastically altered or original it may be. Nick Hayes takes on the enormous task of constructing his own original verse for his narrative tale and has created something that is not only lyrically melodic, but visually striking.

The Rime of the Modern Mariner is a cautionary tale of environmental disaster created by humankind’s excessive consumption and our indifference to the consequences on the world around us. By updating the synopsis of the story, Hayes devises something that is more accessible than the original; more relevant to our time and in a way, conveys a stronger message that grows more necessary to impart with each passing year.  

There are several clever twists made to the initial tale. Hayes modernises Coleridge's wedding guest, a bright young man inexplicably transfixed by the sailor’s every word, into a jaded divorced office-worker who listens half-heartedly to the tale to pass time on his lunch break. Instead of imparting a sense of a hard lesson won, learned and imparted to a new generation, Hayes protagonist is left astonished and sitting alone as the city dweller declares the tale as an amusing “nursery rhyme” and goes back to his life with an untainted conscience. While it is a down hearted ending, it does ask the viewer the uncomfortable question of how much the novel has affected them. Will they too go back to their previous wasteful ways? Or perceive the world in a new light and make some amends for their past negligence?  

The Rime of the Modern Mariner is a provocative piece of work that proves that literary graphic novels can impress, inflame and inspire people just as well as their unillustrated counterparts.

I admire Random House and Jonathan Cape’s commendable attention to detail in the design of this visual novel. They’re one of my favourite publishers, not only because of their continued support for indie comic artists, but also for the exceptional quality and respectful care they put into creating suitable formats tailored for each unique art style and story.
Last year, I reviewed another graphic novel, Building Stories by Chris Ware (also published by Jonathan Cape) and I found myself continuously impressed with the production quality. I was surprised that such a gorgeous product was printed by a large publisher since it seemed like such an indulgent risk to produce. I honestly believe that there aren't many publishers willing to undertake such a tremendous task to create a book that not only does justice to the artwork found inside its pages, but can be considered a piece of art itself.

Beautiful Book of the Month: January

Apologies for the lateness of this post. I seem to be getting more forgetful and leaving this post later and later each month. The practical side of me is tsking myself and saying I should just skip this month and move this one to the next since February is a only a week away, but I know if I use that flimsy excuse for this month I'll use it again without guilt in the future. Without that "healthy" sense of guilt this blog wouldn't exist in the first place.

To Kill a Mockingbird By Harper Lee

Published June 2010
ISBN:  9780434020485
Format: Special Edition Clothbound Hardback
William Heinemann


An elegant celebratory clothbound edition marking the fiftieth anniversary of an unforgettable classic. My very thoughtful boyfriend bought me this wonderful book as a Christmas gift and I was absolutely thrilled when I opened my present. I left my well worn copy back in Canada and I'm glad I finally have it back in my library.

I've wanted to purchase this hardback since its initial release 2 years ago, but I always found the cover image both immensely stunning and saddening. It's hard for me not to look at it and instantly have the quote "Shoot all the blue jays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird" pop into my head. The decorative red and black flowers and vines that weave themselves along the spine and flow onto both the front and back covers is one of my favourite touches in this design. The symbolic mockingbird is delicately silkscreened onto the fabric preserving the fine detailing work in the claws, beak and tail feathers.

There are certain books that you come across in life that not only profoundly change the way you view the world, but how you view literature and the power that a storyteller wields over readers. As a child and young teenager, I would lose myself in tales of sword swinging fantasy, chilling mysteries and goosebump inducing horrors. For countless wonderful hours, I'd wander the streets, forests, caves and dungeons of these imaginary worlds, but as much as I loved inhibiting these universes they weren't my reality; they weren't my world. Because they were so easily distinguishable, the events, the horrors and the injustice found in between the pages of these books never effected me very much. It was the way of that world, but not the ways of my own.

Mockingbird detail

That all changed during my first year of high school when the curriculum for my English class had us reading Lord of the Flies, 1984 and To Kill a Mockingbird. I never quite got over the feelings of shock, anger and shame those books invoked in me. I developed a new respect for books after reading those 3 novels. Not all books are meant as sheer entertainment, they could be used as effective tools to broaden minds and be powerful enough to change the world.      

Front Cover

This book is one that stays with you. It lingers on in your memory. It was the first book that I read that dealt with racism. I have to confess that I had lived a relatively sheltered life up to that point. I knew that racism existed, but I never had to deal with the harsh realities of it. I was fortunate to have grown up in Toronto, which is an extremely multicultural city surrounded by people from all walks of life so it hit me hard when I read about how people could form such horrible ideas about each other just by appearance.

When Atticus talks with Jem and Scout, he treats them like adults; honestly answering any questions they had about intolerance and discrimination and explaining why the world is sometimes unfair and unkind. To me, he was a literary surrogate father explaining away all the injustice in the world and while he couldn't change the way things worked magically overnight, he made others question themselves and their own misguided beliefs and that was his victory for morality and reason.

The reason I'm telling you all this personal history in this beautiful book feature is because I want to emphasize that this is not only a beautiful book because of its intricate binding or the elaborately adorned cover design, but it's also a beautifully composed narrative full of tragedy, courage and hope. There has been debate over keeping To Kill a Mockingbird as a recommended key text in schools. Some people claim that it's dated; the time period is too far removed from our current, Atticus' stance is too timid and not strong enough and that the liberal use of a harsh racial slur is uncomfortable to the sensibilities of readers today, but I disagree. The messages found in this book are timeless and are no less profound with the passage of time. If anything, the limitations of that era lends to its potency. We may seem to have come a long way, but it's always important to remember the harsh lessons that many had to suffer through to get to where we are today. It's those small building blocks, those small seeds of change planted in people's minds that will continue to improve the world that we live in. I hope that it'll continue to find a large and wide readership, because any book that has the ability to still resonate with its reader nearly two decades on, is something that needs to be preserved and passed on to future generations.      

Flower detail on cover and spine

"I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It's when you know you're licked before you begin but you begin anyway and you see it through no matter what. You rarely win, but sometimes you do."

- Atticus Finch

Building Stories by Chris Ware

Publisher: Jonathan Cape Books
ISBN: 9780224078122
Format: Boxset containing hardbacks, paperbacks, pamplets, etc
Genre: Graphic Novel
Pages: 260
Publication Date: October 4, 2012

SYNOPSIS

In Chris Ware's own words, 'Building Stories follows the inhabitants of a three-flat Chicago apartment house: a thirty-year-old woman who has yet to find someone with whom to spend the rest of her life; a couple who wonder if they can bear each other's company for another minute; and finally an elderly woman who never married and is the building's landlady...'

The scope, the ambition, the artistry and emotional heft of this project are beyond anything even Chris Ware has achieved before.

REVIEW

This is my first real introduction to the work of Chris Ware. I've admired his previous books, especially the Acme Novelty Library series, from afar but I haven’t been brave enough to read one yet. At first glance they appear too daunting to just slip into. While lovely to look at, there is a lot of information for your retinas to process; panels and faces filled the pages from top to bottom and tiny font filled in all the remaining gaps. They always left me feeling a bit intimidated and mildly confused about how to decipher a path through the colourful mazes. To me, they seemed like mystifying logic puzzles in image form that I would one day work up the courage to work through.

Building Stories is his latest work, a graphic novel comprising of 14 distinctive printed works ranging from magazines, broadsheets, flip books and pamphlets. This unconventional 'book in a box' is the most fun and unique book format I've ever had the pleasure of coming across. When you slowly lift the lid off the container and cast your gaze over the assortment of colourful treats, it fills you with childish glee. There are papers and booklets of all sizes and shapes and it’s impossible not to feel a little excitement at the sense of wonder and discovery.

Building Stories in all it's glory...

The order in which you chose to assemble your narrative is entirely up to you. The stories are intricately connected and span over a time period of 2 to 3 decades, so there is a reading order in a sense since the passing of time is clearly visible for some characters, but each piece can be tackled in any order. In a way, I think it adds to the charm of the book. I like to imagine that if I pass this onto others they might end up following a different path from mine and may come out feeling differently about certain events or the whole book altogether if they manage to finish on a more uplifting segment than I did.

The craftsmanship behind each item and the intricate details contained in each colourful panel are some of the most impressive design work I've come across. The amount of meticulous precision, consuming passion and painstaking planning that has gone into the construction and execution of this enormous project is staggering. There’s actually no need to read through the text contained in most of the booklets, it’s an absolute marvel to look at. It somehow manages to defy logic and appear to be both densely packed without looking cluttered and rigid yet strangely chaotic all at the same time.

Building Stories has left me feeling divided. While I think that it’s a masterpiece and an instant classic for its genre, I'm not sure how much I truly enjoyed the stories it contained. It’s odd for me to absolute adore the aesthetics, but slightly loathe the unrelenting bleakness that surrounds the multiple storylines explored in this collection. Surprisingly, this is not a condemning statement to make about this compilation. Chris Ware has written himself on the back of the box that “this book is sure to sympathize with the crushing sense of life wasted, opportunities missed and creative dreams dashed”, so readers are warned in advance of the general sense of melancholy that characterizes this visual novel.


Most of my discomfort lies in the voyeuristic nature of this piece of work. It’s similar to the uncomfortable feeling you get living in a flat with paper thin walls and involuntarily overhearing a loud argument from your neighbours next door, only a thousand times worse. In this case, not only are you listening in to conversations and arguments about a range of personal and highly sensitive topics, but you’re also watching the whole thing in vivid detail, like an invisible occupant in the room perceiving the devastating effects of those string of insults and the instant remorse that flickers across the faces of characters who come to the realization that they can’t take back the harmful words.

Ware’s natural ability to empathize with his characters is remarkable. He gives voice to the insecurities and sometimes awkward socially unacceptable ideas and thoughts that crosses all of our minds, whether we like to admit it or not. All this is handled with a deft touch that allows us to sympathize with the characters without making them despicable. There were many moments where I cringed at certain storylines, but I had to stop myself and ask was it really because it’s so truly a horrid thought to have about another person or was it because there’s a small part of myself that recognized I would be a hypocrite for damning the character when I myself could easily have had a similar thought?

My favourite piece is the large blue accordion style booklet. On one side, it shows a meticulously drafted layout of each floor of the brownstone apartment with skilfully added touches of life like the addition of dirty laundry on the floor, stubborn old crumbs hidden behind couches and a small collection of dried leaves blown against the front doors. Those little details, so cleverly thought out, serve to create an inviting environment that our eyes can roam and explore out of what normally would be a very sterile and pristine architectural diagram devoid of occupants and colour.

I remember looking at the open fallen book on the floor of one of the bedrooms and thinking how badly I wanted to pick that up because it’ll crack the spine if it’s left like that (Yes, I'm one of THOSE people). Oh the horror! I think the brilliance of that piece is that even though the images contain no people, we still can find something familiar to identify with.

In contrast, the other side is brimming with small vibrantly coloured comics portraying the hidden thoughts and interactions between the residents of the building. Consisting of 4 panels, each with a fixed view of the front of the brownstone building in one season, it serves both as a backdrop for these little episodes and gives a sense of passing time. This booklet doesn't drive the story along like some of the others do, but that’s why I found it refreshing. It wasn't an emotionally charged episode or a bitter-sweet look into the past, it’s just a cleverly constructed and amusing glimpse into the lives of these characters.

While I admire Chris Ware for not shying away from the difficult and often mishandled topics of isolation, depression and the paralysing effect of losing yourself in thoughts of the past, I constantly found myself hoping against hope that the next booklet I picked up would contain a happier outcome for the protagonists.

In a previous post, I talked about picture books being an unappreciated and underrated form of storytelling. Comics and graphic novels are another genre that is greatly ignored in many literary circles. Hopefully, the addition of two graphic novels to this year’s Costa Award shortlist will go a long way to help the image that graphic novels are respectable forms of pictorial literature.

I think many individuals don’t know how to approach reading a graphic novel and that can be a bit intimidating or off putting. There are a few people that I know personally who hold the opinion that graphic novels aren't a valid form of literature because they consist mainly of images and sometimes sparse use of text. I don’t think they’re giving them a fair chance. Graphic novels require a different approach to reading than that of a normal novel. Traditional books rely on our ability to associate the words on a page with our own experiences; to use our own imagination to conjure up every single item described in the book from the features of a character to the ominous shadows lurking in the cobbled streets found in the setting. With graphic novels, there’s less of a need for that, the images for the most part are provided there for you, but that doesn't mean there is less there for you to “read”.

Visual interpretation is needed to read the expressions on character faces and the subtle body language that instinctively shapes the course of most our social interactions. The slumping of shoulders, raising of eyebrows, the pursing of lips; these are all familiar sights in our day to day lives that help us to read the moods and intentions of the people around us. Instead of being utterly dependant on the author’s words and descriptions, we have to rely on our own ability to identify the signs hinted at by the artist in the splashes of colour and deliberate scribbles of ink. Chris Ware describes it as “the weird process of reading pictures, not just looking at them.” As we “experience the world as adults; we don’t really “see” any more after a certain age, we spend our time naming and categorizing and identifying and figuring how everything all fits together.” This reliance on our sense of sight and interpretation of images is what sets it uniquely apart from other formats.

It’s hard to give a proper rating or even a general recommendation to strangers for this collection. I can say without fear that this is a work of genius and many reviewers are already justifiably proclaiming this project as Chris Ware’s magnum opus, but I can’t say that it will hold universal appeal to everyone who picks it up. It provides a unique reading experience like no other that I've come across and that’s well worth the exploration since there is no guarantee that anything will come along that will provide the same sensation. I've opened the box over a dozen of times to pull out pieces to examine while I was writing this review and the novelty of opening up this huge box full of tiny books still hasn't worn off.

There are a lot of people who will be instantly put off by the seriousness of the issues tackled and the downbeat tone and that’s perfectly understandable, but to those of you that decide to take the chance and embark on the journey, I recommend sticking with it to the end. It’s deeply affecting, offering a lasting impression of ups and downs of living a modern life.

There’s no real conclusion to the multiple storylines in Building Stories; no happy endings for its inhabitants, but that’s the point. It’s a depiction of life in its rawest form: full of regret, haunting memories, failed dreams, unsaid desires, fleeting happiness, lingering sadness and flickers of hope. Giving these characters endings aren't necessary, their lives are still in motion; their fates undetermined. What we are left with instead are our reflections on our own lives and the loud, clear message to go out and live them.

Short and Sweet: The Twitter Review

A decade in the making, Building Stories is an ingenuous work of beauty and quality. A truly unique reading experience that shouldn't be missed.

Beautiful Book of the Month: December

The Hobbit By J.R.R. Tolkien

Published November 2012
ISBN:  9780007487301
Format: Special Edition Clothbound Hardback
HarperCollins
www.harpercollins.co.uk

I put off buying a copy of The Hobbit months ago, because I wanted something special. Something that will last for years. After all, if you're going to buy a classic why wouldn't you want something that will look beautiful on the shelf and periodically tempt you back to the lovely story within its pages?

Part of my obsessive enthusiasm for "beautiful books" is the fact that they are books that demand attention; they refuse to be ignored. With every fleeting glance towards the bookshelves, these extraordinary books stand out and coax me to come closer, to run my fingers gently over their covers and dare me to open their pages and read what's within.

No matter how tall or time sensitive my "To Read" pile grows, there’s always that nagging knowledge that some new shiny proof or book release that will inevitably push some books further from my mental priority list and lower and lower in that teetering pile. In the worse cases, they are moved to another stack of teetering books located in my bedroom with an even later promised read by date dustily associated with them. Heaven forbid they end up in the dark no man’s land that is the cramped space under my bed. I'm too scared at the prospect of hunting down a hidden gem in that poorly constructed labyrinth of lost reading material. It always conjures up an image of me being found 2 weeks later buried under a massive paper avalanche...or never being found at all.


In contrast, there’s an unspoken understanding exchanged and renewed each morning as I pass by my cherished bookcase that houses my special editions. that first initial spark of enthusiasm; that feeling of anticipation and excitement you get when picking up a new book; it never fades away in time with these books like it does with my other reading piles. I may read dozens or even hundreds of stories before I eventually pluck one of the enticing tomes off the shelf, but I know, without a doubt, that I will inevitably visit each of their worlds.

That’s the main reason why I took my time selecting an edition of The Hobbit. I didn't want a cheap throwaway paperback to read as quickly as possible before the upcoming film release. I'm already aware that the story is fantastic and to honour both it and my fond childhood memories, it had to be something deserving and desirable.

I was going to cave in and buy this edition of The Hobbit, when by chance I came across a new listing for this absolutely stunning hardback. Stunned is the perfect word to describe my reaction to seeing this lovely book. As I stood for a few seconds starring somewhat dumbfounded at the screen image, it slowly seeped into my pretty book occupied brain that it was absolutely perfect. Just what I always wanted and was waiting that extra bit for. It may sound a bit melodramatic, but that’s how it felt at that moment. Nothing is worse than the feeling you get when you finally settle for something, think you’re happy with it and suddenly the next day there’s that perfect item you were looking for, the one you gave up believing even existed, staring you right in the face. So am I excused for doing a little mental happy dance when I finally purchased this? There may have been a little discreet cover stroking and whispering of “My Precious” in a secluded corner of the shop as well. That may not be as excusable…

This collector’s edition is being advertised as a special film tie-in hardback with a design “inspired by The Hobbit: An Unexpected Journey”, but I'm happy that HarperCollins decided not to go the normal route of using either a promotional movie still or the official film poster image for the cover. Instead, we are presented with a modern, yet timeless illustrative scene of Mirkwood forest, complete with a delicate splattering of butterflies hovering above its towering trees.

“There is nothing like looking, if you want to find something. You certainly usually find something, if you look, but it is not always quite the something you were after.”

                         ― J.R.R. Tolkien, The Hobbit

Patience is not a virtue that I’m blessed with. I’m a notorious compulsive buyer of books; both the state of my flat and bank account can attest to that, but in this case I’m extremely glad that I decided to extend my search for the perfect edition. Not only did I end up with an unexpected surprise that will lead me on an unexpected journey, but I couldn’t have hoped for a more wonderful choice to guide me there and back again.